Earlier this year, Krista Coupar, COUPAR CEO & founder, joined LuAnn Nigara on her podcast, A Well-Designed Business, for Power Talk Fridays to discuss setting your intentions.
It’s that time of year again… as the seasons change, we’re getting excited for thick knit blankets, darker, moodier color palettes, and those deliciously spiced PSLs from Starbucks! But, along with everything we love about the colder seasons, we can’t help but feel an overwhelming amount of stress at the thought of hosting friends and family for all of those holiday dinners. Here's how to fix it!
The change of seasons has arrived and COUPAR is ready to fall in love with autumn all over again. We are pulling out our favorite knit throws, layering ourselves and our interiors with warm tones and textures, and for those of us that are so inclined, we now have an excuse to bring on the controversial pumpkin spice.
Grey Lux is building a network of artisans to push the boundaries of handmade products. With a background in fine art and interior design, he is perfectly poised to create a seamless experience for vendors and designers alike. Grey gave us the scoop on how he selects the best products in design and his journey to becoming the man behind Grey Lux.
With over 20 years of experience in residential and development design, Paulina Oldenbrook has perfected practical luxury. As the first interior designer to offer the Williams-Sonoma Home brand in her showroom, Paulina chooses her favorite pieces through the lens of sophistication and comfort. After a splendid chat, Paulina shares her thoughts on design and why she is so passionate about the industry!
We know! We know! We’re not exactly ready to say goodbye to summer either but like it or not, fall is right around the corner. There are some incredible pieces that we can’t wait to incorporate back into our décor. To help you prepare your home for the season, we’ve selected a variety of interiors that showcase all the best qualities of interior design for fall. Take a look:
The hiss of the fire burned in our ears as a man dressed all in black stood before us, clutching a hammer by its wooden handle. The lot of us--marketing professionals, interior designers, curious patrons, and more--watched wide-eyed as he gestured toward the swirling metal creations that hung above our heads.
Today’s total solar eclipse has been a hot topic for a while now—and for good reason! The last time the United States witnessed one of these awe-inspiring phenomena was in 1979. We hope that the majority of you were able to step away from your desks, slap on some solar-eclipse shades, and watch as the moon passed over our bright burning star.
From gurus to sages, there are certain people who embody "wisdom," but the truth is, there is wisdom in all of us. Anna Scott may look nothing like Mister Miyagi, but she is a master of knowledge in her own right and teaches her clients to discover and access their own wisdom as a Wisdom Business Coach.
This year, our client, Kari McIntosh of Kari McIntosh Design, was invited to participate in one of the world’s most prestigious designer showcase events, the San Francisco Decorator Showcase. We asked Kari about her experience and what she learned during her first year at this premiere event.
There's no denying the influence that Instagram has had on the design industry. No one knows this better than interior designer Lynn Leonidas. It was on this social media platform that the talented designer connected with none other than the Editor-in-Chief of the popular West Coast publication Sunset Magazine. Not only did this blossom into a beautiful friendship, but it also resulted in a fantastic project and partnership. Connecting with mutual interests, including an appreciation for classical architecture, Lynn was asked to design the editor's home! Read on to get the full story from the eyes of Lynn herself.
1. What brought you and Irene/Sunset together?
Irene Edwards, the Editor-in-Chief of Sunset Magazine, is a great connector and talent scout. She saw my work in Domino magazine and then connected with me on Instagram. She had lived in the Bay Area before moving to New York, where she eventually became the Editor-in-Chief of Lonny. When she got the call from Sunset, she came back to the Bay Area. We have clients throughout the Bay Area and are based in the East Bay, just minutes away from Irene's Alameda home, so it was a natural fit to start our conversation about working together. We shared similar interests about editorial trends and I think as clients, she and her husband were aligned with my enthusiasm for restoring the classical architecture rather than removing its history.
2. How does designing for a magazine differ from designing for a typical interior design client?
The interior renovation was a partnered project with Sunset Magazine as the finished project was intended to be published through Sunset’s print magazine and various online outlets. I have experience working in the editorial world, so I was aware of the tight schedules that editorial teams adhere to. It’s a fast-paced industry, much faster than architecture and interiors, so we were more available and spontaneous with this project. There is also the component of vendor partnerships for product placement as well as collaborating with the photo and styling departments. It is a real team effort that extends further beyond the typical architect and contractor team.
3. What kind of challenges and benefits did you experience when working with Sunset sponsors?
Sunset has very dynamic and successful relationships with their loyal vendors who advertise through the magazine. The magazine is first to review the newest vendor collections and the house remodel was an appropriate application for many products. It helped to be pushed to use only the vendor’s latest collections which presents a limitation that can be both challenging and beneficial. It puts a limit on the extensive resources available to us, but at the same time it helps narrow down the choices for quicker decisions.
4. How would you describe your aesthetic and how did you mold it to fit Sunset and Irene's sensibilities?
I love working on homes with traditional architecture as my passion and professional training is in that historical design language. Irene’s home is Victorian, and we approached it as a restoration project with modern updates. Irene also has adventurous, fashion-forward taste, so we found a balance between classical finishes and contemporary furnishings. We were excited with the natural-yet-glam materials we put together, like brass and glossy tile mixed in with linen, jute, and rustic pieces.
5. If you could design a home for another editor or tastemaker, who would it be?
I’d love to work with Amy Astley who used to be the Editor-in-Chief at Teen Vogue before she became the Editor-in-Chief of Architectural Digest. I subscribed to Teen Vogue well into my twenties and found it to be the most fun of the Vogue titles. Amy's aesthetic vision is high-quality and aspirational, but at the same time it is lighthearted and there is room for humor and color. I like the spontaneity and excitement that editors bring to the team, and I would definitely like to continue working with more people from that industry.
6. Any plans for future collaborations in the works (either with Sunset or other brands)?
I will continue collaborating with Sunset and their associated vendors, and just a few weeks ago I was a part of Sunset Celebration Weekend in Sonoma where I consulted with Sunbrella and Delta Faucets. This year I am talking with more brands and participating in more speaking engagements on panels and podcasts. My guest podcast feature on A Well-Designed Business (https://windowworks-nj.com/lynn-k-leonidas/) aired last month, and I’ll appear on the Million Dollar Decorating podcast in July. I’ll also be at High Point for the first time at the Fall show and will be lining up some fun events!